“Double Header”

Had a double header this month. I have a project featured in the LUXE Interiors + Design Los Angeles issue and one in the Colorado edition as well. Both projects were beautiful and a real honor to shoot. Really excited about the Colorado house, its just a few blocks from my own and the interiors were done by the famed Jan Showers out of Texas. The Architect was my good client Dan Murphy. The LA home was completed by the West Coasts one and only Adam Hunter, Inc. who was a real pleasure to work with on site for the shoot, beautiful design to say the least. I am very proud to see both projects featured this month.
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“Black & White or Color”

From a recent shoot in Southwestern Colorado this exterior shot was a composite of ten separate images to come up with the pano. Really interested in the concept of how the image looks in black and white compared to color. I think I will explore this contrast in more detail for future portfolio pieces as well as for a coffee table book of my work that we are working on.

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“Interior Design Magazine Feature”

Very honored and thrilled to receive the latest issue of Interior Design Magazine to see a project of mine featured within the pages of a home I shot for Studio William Hefner in the Hollywood Hills of Los Angeles. ID is a magazine I look up to for not only its content, but layout and level of photography as well. I am honored to say the least. The other homes featured in the same section of “Innovative Houses Bring the Outdoors In” were located in Iceland and Spain.

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“Luxe Interior + Design 2014 Winter Issue”

I am very excited to announce that the 2014 winter issue of Luxe Interior + Design magazine is out on the stands. I am also very honored to say that a home I  shot for the magazine this last fall is not only featured in the issue, but my image of the exterior of the home made  the cover. What a great way to start off the New Year here at the studio of James Ray Spahn Photographer!

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“California Homes”

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A few months back I was pleasantly surprised to return home from  two-weeks on the road of shooting to find a copy of Studio William Hefner’s new book “California Homes” sitting on my desk. William has been a client of mine for over five years and  has hired me to shoot the majority of his projects in that time frame. The collaboration is always a creative one and one that I always  look forward to when we get the opportunity to work together. The majority of projects were shot in Beverly Hills, Bel Air, Hollywood and Pacific Palisades. I am truly honored to have my images grace the pages of his beautiful new book. The following are  excerpts  of a few of the homes that I photographed and that are featured in the book.

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“2 am Casion Shoot”

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I was recently on a shoot in Black Hawk Colorado photographing a home for a magazine when during the shoot I received a call from my longtime client Haselden Construction. They wanted to know if I could shoot two casinos for them the following day in Black Hawk and meet their deadline of having the images in hand by the beginning of the next week.

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As serendipity had it and as I told them, not a problem, I just happened to be in all places but Black Hawk already. Sometimes the stars just line up! So instead of loading up my gear and driving home after my shoot for the magazine, I headed to downtown Black Hawk to meet with Haselden and do a walk-through of the properties.

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To photograph projects like these its imperative to do a walk-through. Meeting the GM’s of the properties is also key. Security is tight in casinos as you can imagine so getting clearance is a must. Trust me you can’t just walk into a casino with a camera on a tripod and not expect to be confronted by several security guards with guns.

The above images are from the Mardi Gras Casion, below are from Saratoga.

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I was given strict instructions by the owners of the casinos that I was not allowed to photograph any areas where money was handled (the cage) or photograph any employees, or patrons. Also, I was to be out and finished by 8:00 am, no if and’s or buts.

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So the game plan was to arrive at the first location The Mardi Gras at 2:00 am photograph it, and then walk up the street and shoot the Saratoga. So from when the initial phone call came in from Haselden to shoot the casinos (about 1:00 pm that day) to when I would actually begin photographing  was roughly thirteen hours. Keep in mind I had been already shooting a project all morning.

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So after my walk through and getting clearance the time was now 3:00 PM. What to do what to do knowing I was gonna be on the ground running at 1:30 am.  I did what any other seasoned professional photographer would do. I ate dinner at 4:00 PM, had a few cocktails, found a black jack table (i lost by the way) and was in bed by 6:30 pm.

And that’s how that day began….. and ended.

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“Bridges & Garages”

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As I have mentioned before, I never know when the phone will ring and what the next assignment might be. In this case I received a phone call from my client Coover Clark Architecture wanting to know if I could photograph a bridge and few garages for them. Doesn’t sound glamorous  does it? Well it didn’t to me either. My job is to the make the best possible image of the subject assigned to me. And that’s what I feel I accomplished with these two locations. The images tell a story and document information for the client, but they also have an edge and sexiness to them as well. No matter the subject, powerful images are what my clients expect from me as well as what I expect from myself. It also helps if one doesn’t mind getting up at 4 am……..

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