“Double Header”

Had a double header this month. I have a project featured in the LUXE Interiors + Design Los Angeles issue and one in the Colorado edition as well. Both projects were beautiful and a real honor to shoot. Really excited about the Colorado house, its just a few blocks from my own and the interiors were done by the famed Jan Showers out of Texas. The Architect was my good client Dan Murphy. The LA home was completed by the West Coasts one and only Adam Hunter, Inc. who was a real pleasure to work with on site for the shoot, beautiful design to say the least. I am very proud to see both projects featured this month.
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“Black & White or Color”

From a recent shoot in Southwestern Colorado this exterior shot was a composite of ten separate images to come up with the pano. Really interested in the concept of how the image looks in black and white compared to color. I think I will explore this contrast in more detail for future portfolio pieces as well as for a coffee table book of my work that we are working on.

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“Luxe Interior + Design 2014 Winter Issue”

I am very excited to announce that the 2014 winter issue of Luxe Interior + Design magazine is out on the stands. I am also very honored to say that a home I  shot for the magazine this last fall is not only featured in the issue, but my image of the exterior of the home made  the cover. What a great way to start off the New Year here at the studio of James Ray Spahn Photographer!

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“California Homes”

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A few months back I was pleasantly surprised to return home from  two-weeks on the road of shooting to find a copy of Studio William Hefner’s new book “California Homes” sitting on my desk. William has been a client of mine for over five years and  has hired me to shoot the majority of his projects in that time frame. The collaboration is always a creative one and one that I always  look forward to when we get the opportunity to work together. The majority of projects were shot in Beverly Hills, Bel Air, Hollywood and Pacific Palisades. I am truly honored to have my images grace the pages of his beautiful new book. The following are  excerpts  of a few of the homes that I photographed and that are featured in the book.

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“Sympathetic Addition”

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Now that the new website is completed and behind us I am now hoping to be able to get back to the Blog on a more frequent basis. What better way to jump back into it than with a post on a recent feature of ours that is once again in Mountain Living Magazine ( March/April 2013). The Magazine hired me a few months back to photograph a home located in Telluride Colorado (one of my favorite mountain towns to work in. If you haven’t been there make sure to stop in at “Baked In Telluride” for a coffee and one of their killer donuts that are hot out of the oven at 5am).

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The home was designed by Eric Cummings Architect and the Interior Design was by Catherine Hobbs of Studio Frank based in Telluride. We worked closely with Catherine and her assistant who both styled each shot for us throughout the day. Eric was also a huge help on the shoot when an extra pair of hands were needed. As I always say collaboration is a huge key in any photo shoot and success lies in all of the parties working together with one vision for the final outcome. The final images are a testament to this philosophy and I believe reflect the vision of all who participated in the overall success of this shoot.

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Now all I need is another excuse to make it back to Telluride and “Baked in Telluride” for another one of those killer donuts!

“New Web Site”

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Well its a new year and as they say “out with the old, and in with the new”. That being said I am very proud to announce the rolling out of a brand new website for James Ray Spahn Photographer. The site has been under construction for  a little over a month and to say the least  has been a labor of love. I am very proud of the final product and believe visitors will be as well with the addition of the new interface that streamlines the viewing of each portfolio for the particular monitor the viewer maybe using. There are new categories  to help interpret our process as well as a few of our success stories describing what  separates us apart in such a demanding field. I would like to think those of you who contributed to the text and copy on the site as well as the clients whose projects are showcased within the sights pages. Without all of you I would not be where I am today as well as the level of success you have helped me achieve over the years. I look forward to the opportunity of working with all of you in 2013!

Happy New Year and as always, thanks for the work!

James Ray Spahn

“The Anatomy of a Photo Shoot”

The assignment  required me to fly out of Denver at around 1:00 pm, land in LAX at 2:40 pm grab my gear at baggage claim,  jump into a car service and make like a bat  out of you know what and head to Rodeo Drive in Beverly Hills to shoot the exterior of the New Marimekko Flagship store at dusk which was at roughly 5:15pm. This part of the assignment required that I deliver two hero images of the exterior of the store to the Marketing Director of Marimekko so she could meet her deadline for the press release that was to hit the streets in Finland by 5:pm their time that afternoon. As I have to explain quite frequently to friends as well as clients,  “though we shoot digital now and don’t need to send film to the lab to be processed the images still don’t magically come out of the camera looking polished.” There is some post work (digital darkroom) that needs to be done such as, layering, checking for dust, color correcting and sharpening. Having a tight deadline and being on the road I obviously didn’t have my work station with me. Could I have pulled off the adjustments on my laptop you ask? Yes, probably, but the process would have been slow and painful. My next option was to rent a work station in a studio. I had done this once before in Manhattan last Fall, strangely enough for this same client whose deadline was similar to this one. The only problem was that I needed only two images processed so the hassle of renting the studio space and workstation didn’t sit well with me. Now being a resourceful person and someone who thinks on his feet I had just remembered a conversation that I had a few days earlier with my good buddy, fellow graduate of Brooks Institute and top-notch Architectural Photographer Chipper Hatter. Chipper was getting ready to go in for surgery on his knee that he tweaked from surfing. How he finds time to surf being a self-employed photographer with a family of four I have no idea, but that is a story we will delve into in the future. Anyhow I called old Chipper up and told him my dilemma and being the great person he is, he said” sure no problem, I will process the images for you and make your deadline. I will be just sitting around with my knee elevated and sucking down vicodin”. This was a huge relief for me and would actually help me sleep that night, I did wonder what the vicodin might do to his performance on my images though, but beggars can’t be choosers.. My only concern was and as Chipper brought up lets hope he makes it out of the surgery alive. if not I would be back to square one. So the plan was that I would shoot the exteriors  run back to my hotel to upload the images to Chipper via “We Transfer”. He would then do his magic on the images and then upload them back to me which I would then email over to the Marketing Director by 10:00pm that evening, way under the deadline. I could see myself rubbing elbows with the rich and famous at the Sunset Tower Bar sipping a nice cold beer smug in my feeling of what a great job Chipper and I had done.

Well that was the plan at least. Flashback to the Denver Airport when I am getting ready to board my plane to LA when my phone rings and who other than the Marketing Director is on the other end and sounds like she is in a frantic high-speed car chase tells me that the awnings for the front of the store wouldn’t be arriving until 10:00 pm that night and wouldn’t be installed until 5:00 am in the morning and that we would have to postpone tonight’s shoot and shoot in the morning and now she would need the images turned around by 9:00am. The images wouldn’t need to be perfect she said and we could do the dusk shots the following night when we shoot the interiors. I told her have no fear we will make it work. “It always works out”. I said lets just shoot the dusk shots in the morning. Having scouted the location the week prior I knew the sun came up behind the store front and not on it so lighting in the morning would be horrible. By shooting dusk I knew we would have a better chance of making a nice shot at that time of the day and as I told the Marketing Director I wouldn’t feel good about giving here a mediocre image. So the deadline and stakes just got higher. My next call was to my good old wounded buddy to tell him the bad news, but he didn’t answer his phone. I assumed he was passed out from the vicodin and drooling on himself in a deep slumber. I thought it best to let him sleep and would break the bad news to him later that evening from the hotel lobby bar.

When we arrived at the location at 5:00 am the next morning the first thing that came to mind was that this was such a better time of day to shoot the exterior of the store because the streets were pretty much deserted and void of any foot traffic (keep in mind this is one of the  busiest and most expensive places in the world to shop). The second thing that came to my mind was what the hell are painters doing painting the front of the store in the dark. If you look up top to the two images you can see the painters on the left side of the building. There were also men in front of the store blasting the sidewalk with a power washer. In a cool calm manner as I always have I began yelling at the top of my voice for everyone to clear out expecting the cops to show up at any minute at my ranting. As this circus act is playing out  the sun is rapidly rising in the sky. After a few more yells and hand waving I was able to capture the image above and the one below before the ambient light washed everything out.It was about 6:45 am by the time I downloaded the images to my laptop and started up loading the images to Chipper. Thankfully the store had just setup its wi-fi, the only problem was that it was slower than Christmas. I up loaded one image at a time so Chipper could at least get started on one of the images while the other one was uploading. At around 8:45am the Marketing Director asked where the images were and that she needed them in fifteen minutes for the deadline in Finland. Taking a deep breath I told her it was not going to be a problem. I then grabbed my cell and walked into the alley outback  and called Chipper thinking he had passed out from the pain in his knee from the surgery. I could picture him slumped over his work station with drool coming out of his mouth and seeping into his keyboard. I was wrong though, he answered and told me the images were on their way. Back inside the building I checked my inbox and there were the images. I then  showed them to the Marketing Director who immediately  said  “I LOVE THEM!” The time was 8:58am……..

In all seriousness this shoot is a perfect example of how I must think on my feet as a photographer and work within deadlines that seem if not unimaginable but impossible. I feel confident in saying that this plays a big part in why my clients hire me. A big shout out goes to Chipper Hatter who without his skills and desire to help me out in a pinch this shoot would not have turned out the way it did. He did a beautiful job on the images and I cannot thank him enough. If you get a chance check out his work www.chipperhatter.com he is an amazing photographer and a great friend to say the least.

Until next time!

“OZ Architecture”

I recently had the honor to have been hired by  “OZ Architecture” based in Denver to shoot several projects of the firms recently completed work as well as a few of their past jobs.

The firm is revamping their website and marketing collateral and needed fresh imagery to help with this new push.

The project you see here is of the Sam Gary Library in the Stapleton area of Denver. It was also the first of five projects that we started with. Since the first five projects sixteen more have been added to our hit list for the firm.

The firm had a clear vision going into several of the shoots that they wanted adults and children in a lot of the spaces to not only give scale, but also to add life to the images.

Anyone who has children or photographs children for a profession can understand what a trial it can be. My philosophy has always been to let them run around like wild Indians and then at the last-minute drop them into the shot. The image above is a perfect example. I told them where I wanted them and as they were getting settled into their spots I started to shooting without them even knowing it was the real deal. As you know…. kids do what kids do.

I worked  closely with the marketing director of the firm as well as the principal on this particular project. Both were on site and extremely helpful with direction and exactly how they wanted to portray the spaces……

Collaboration has always been a key element in my book for a successful shoot and this project exlimpifies that quality to the tee……

More of OZ’s projects will be highlighted in future posts….

“Bevery Hills 90210 Photo Shoot”

I had the great pleasure to be back out in LA shooting for my long time client Studio William Hefner. Always a treat as well  to be shooting in ninety degree weather with a location and a view to die for.


Having the great pleasure to shoot all over the country and in some amazing locations, I would have  to rank this project  up at the top of my list for panoramic views. Barring the smog that LA is famous for we were actually pretty lucky and had fairly clear skies throughout the shoot.

It has never failed to amaze me that in my travels I can wind up in a place where something unique is taking place. This shoot was no different. While shooting the above image a loud roar was heard coming up over the hills to the crews left.  Low and behold the endeavor did a fly by right over our heads on its final flight and resting spot just down the road. An amazing experience for sure….

As I have commented before when blogging about one of William’s projects. Clean, classic and contemporary is the best way for me to describe his Architecture and Interior Design.

Light and airy can also  describe William’s projects. Sunlight abounds throughout the spaces of his homes. From a photographers point of view this allows  me to take full advantage  and use the natural light as a tool to light spaces naturally  as the Architect intended it to be represented throughout the home…

The home was definitely a real treasure and a fun one to photograph and be a part of. I will be returning to the location in the next few weeks to shoot a handful of exteriors at dusk. I look forward to seeing the house lit up as well as the cityscape below.

Yours truly on location  wrapping up another great day of shooting in the hills of 90210…

“Army Avation Support Facility Shoot Cheyenne Wyoming”

 

I recently had the opportunity to shoot for Coover Clark once again. My first shoot for their firm was in Grand Junction, Colorado and was of the new National Guard Readiness Center. My latest shoot for the them was  of the Army Aviation Support Facility in Cheyenne, Wyoming. As in the NGRC shoot I worked closely with Brian Duggan at Coover Clark who oversaw the project and had very specific recommendations for the shoot in regards to angles and composition of the shots to be taken.

A preliminary meeting was held with Brian at the Coover Clark offices in Denver where floor plans and elevations were reviewed for the shoot. Being a military facility, access and security was discussed in-depth in regards to who would be my contact and how I would access the base and structures. Trust me when I say that walking around any type of secured military base or government facility with a camera raises a lot of eye brows and always gives me the feeling that someone is looking over my shoulder (which they are).

I waited for over one hour in this specific spot to get this shot with the bird taking off in the background.

After my homework with Brian was completed all that was left to do was to set a shoot date and arrive at the facility ready to hit he ground running. After making contact with security and my escort it was just a matter of walking the facility with my camera, tripod and floor plans from Brian. We had discussed trying to get soldiers in the some of the shots to give perspective to the images and structures. Patience and timing is the best way to describe including people in architectural images.

The curtain in the background is to isolate the aircraft for cleaning and washing. A car wash for helicopters would be the best way to describe it…..

Pre planning and thorough discussions are the only way to make a shoot of this magnitude come together. On the same note no matter how much pre planning you do for a shoot like this one you always have to go into it knowing that not everything will be perfect or ready as you had planned.  I forgot to mention that my escort and liaison  was sick the day I arrived for the shoot and no one else at the location new anything about me being there. To make a long story short, after several phone calls to Colonels, Lieutenants and I would not be surprised a General or two,  and after a lot of standing around I was finally released to shoot the facility. An open mind and extreme patience is a must for my line of work…….it also help when your offered a cup of coffee while you wait.